![]() However, the songs that do fit flow beautifully and make the album a repeat listen. It sits best at around ten tracks rather than sixteen as some songs become superfluous and do not fit with the core of the new sound she has developed. However, without directly saying it, she makes it clear that she will not settle for anything that isnt up to that standard. Then in the bridge section, she without any force expresses an innately human desire even in times of security when she sings: One of these daysIll be in a new placeIll be okay I just hope someone will say, I got you, like you got you. She expresses self-love throughout with the repeated chorus, who got me like I got me She seems confident that her love for herself is enough to carry her. Maybe the most grabbing compositional moment of the album happens after she twice repeats, who got me like I do, when all of this is through, who got me like I do All the sounds drop out, leaving just a bass guitar and piano for eight staccato notes that lead so sweetly into the chorus its hard not to get excited. Then there are little flickers of that pitched down vocal throughout the track reminding the ear of Barazs signature style. The song is laden with an acoustic guitar keeping the pace and an almost Donell Jones-esque RB aesthetic. The song feels like a cathartic moment of understanding of the new Baraz at her best. This shifts right back into the new Baraz style, and the song ends smoothly. This song also does give a taste of the old Baraz with a brief bridge-like section where after she sings the phrase, Love me in the dark.Ī pitched-down voice repeats the word love for a few bars transitioning into a trap RB feel. There is a lyrical bass that seems to exist fluidly throughout the album, as well as a constant acoustic guitar, and even instruments like the flute on a song like Frank. Different from her previous work, though, we hear much more distinguishable individual live instruments. ![]()
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January 2023
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